POCHOIRWORLD

  • The Art of Pochoir
  • Masters of Pochoir
  • 300 Pochoirs of Picasso
    • 1917, The first pochoir by Picasso
    • 1920, Le Tricorne
    • 1920, Dix pochoirs
    • 1926, Picasso Oeuvres
    • 1929, L’Art Cubiste (Guillaume Janneau)
    • 1930, Pablo Picasso (Eugenio d’Ors)
    • 1930, Décors de Théatre (Raymond Cogniat)
    • 1933, Dix Reproductions
    • 1946, Fifteen Drawings (Albert Caran)
    • 1950, Guy Spitzer
    • 1954, Dessins (1903-1907)
    • 1954, Venti Pochoirs Originali
    • 1954, Le Ballet (Boris Kochno)
    • 1956, Picasso, Dessins d’un demi-siècle
    • 1956, Femmes et Faunes
    • 1956, Atelier Guy Spitzer
    • 1958, Mes Dessins d’Antubes
    • 1959, Douze Contemporains
    • 1960, Toros
  • About Paul Zwartkruis and Pochoirworld

1954, Venti Pochoirs Originali

This series was personally overseen and plate-signed by Picasso himself. The pochoir method of printing lithographs is the oldest method used to accurately reproduce multicolor prints, and it creates an outstanding impression, with fine detailing and rich coloring.
Introduction by Franco Russoli.
Milan: Silvana Editoriale d’Arte, 1955.
Dim. 39 cm x 28,5 cm
Copyright SPADEM 1955
Limited Edition in only 200 numbered copies. 20 colour pochoirs in full page, each of them protected by vellum paper. With an introduction by Franco Russoli with four black illustrations by Picasso. 40 x 30. 12pp. + 2 + 20 sheets. Very rare and only edition.

1954y1

Picasso – portfolio : Venti Pochoirs Originali

Picasso – portfolio : Venti Pochoirs Originali

 

“La Coppia” of “I Miserabili” (1904)

“La Coppia” of “I Miserabili” (1904)

 

“Les Miserables” originated in Picasso’s Blue Period, which took place between 1901 and 1904. Nearly all of the pieces created in this timeframe utilize primarily blue and green tones, and focus on the degenerate, disenfranchised, and disadvantaged. “Les Miserables” is an excellent example of Blue Period work; it features a somber tone, stark background, and two figures with stooped heads. It brilliantly captures the depression and despair that Picasso was enduring during this time, as he struggled to cope with the death of his close friend Carlos Casagemas.

 

“Saltimbanco seduto con regazzo”(1906)

“Saltimbanco seduto con regazzo”(1906)

 

“Testa” (1907)

“Testa” (1907)

 

“Donna” (1906/ 1907) Studio per “ Les demoiselles d’Avignon ”

“Donna” (1906/ 1907)
Studio per “ Les demoiselles d’Avignon ”

 

(1907) Studio per “ Les demoiselles d’Avignon ”

(1907)
Studio per “ Les demoiselles d’Avignon ”

“ Ma Jolie “ (1912/ 1914)

“ Ma Jolie “ (1912/ 1914)

 

« Le journal » (1914)

« Le journal » (1914)

 

1954y10

 

“ Guitar, bouteille et fruits” (1921) ( Chitarra, bottiglia e fruttera)

“ Guitar, bouteille et fruits” (1921)
( Chitarra, bottiglia e fruttera)

 

1954y12

 

“Fruttera e chitarra su fundo grigio “ (1932)

“Fruttera e chitarra su fundo grigio “ (1932)

 

“Baguante che gioca al Pallone” (1932)

“Baguante che gioca al Pallone” (1932)

 

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Pages

  • The Art of Pochoir
  • Masters of Pochoir
  • 300 Pochoirs of Picasso
    • 1917, The first pochoir by Picasso
    • 1920, Le Tricorne
    • 1920, Dix pochoirs
    • 1926, Picasso Oeuvres
    • 1929, L’Art Cubiste (Guillaume Janneau)
    • 1930, Pablo Picasso (Eugenio d’Ors)
    • 1930, Décors de Théatre (Raymond Cogniat)
    • 1933, Dix Reproductions
    • 1946, Fifteen Drawings (Albert Caran)
    • 1950, Guy Spitzer
    • 1954, Dessins (1903-1907)
    • 1954, Venti Pochoirs Originali
    • 1954, Le Ballet (Boris Kochno)
    • 1956, Picasso, Dessins d’un demi-siècle
    • 1956, Femmes et Faunes
    • 1956, Atelier Guy Spitzer
    • 1958, Mes Dessins d’Antubes
    • 1959, Douze Contemporains
    • 1960, Toros
  • About Paul Zwartkruis and Pochoirworld

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